John's compositions
Day 313: Thank you Prof. Lintz-Maues
06/10/08 07:22 AM Filed in: Vienna
Day 313 — Thank you Prof. Lintz-Maues
10-Jun-1972 (Samstag–Sat.)
In 2009, I receive a CD from Vienna with the lost recordings of Fantasy on Broken Glass, newly digitized by Prof. Lintz-Maues. What a thrill to hear those recordings after all of these years. Thank you, Prof. Lintz-Maues.
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10-Jun-1972 (Samstag–Sat.)
In 2009, I receive a CD from Vienna with the lost recordings of Fantasy on Broken Glass, newly digitized by Prof. Lintz-Maues. What a thrill to hear those recordings after all of these years. Thank you, Prof. Lintz-Maues.
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Day 310: World premiere—Fantasy on Broken Glass
Day 310 — World premiere—Fantasy on Broken Glass
07-Jun-1972 (Mittwoch–Wed.)
I make a
last-minute, desperate attempt to remix my Fantasy
composition for tonight’s world premiere. Do I make
it? Does the audience like it? Do I need to drink my
sorrows into the ground?
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07-Jun-1972 (Mittwoch–Wed.)
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Day 287: Contemporary ballet and OSU
Day 287 — Contemporary ballet and OSU
15-May-1972 (Montag–Mon.)
I speak today to contemporary ballet and modern dance and relate to a modern dance/music composition that I wrote while a student at The Ohio State University. The composition was a musique concrète/electronic work titled, “Ruth,” based on the Book of Ruth from the Old Testament.
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15-May-1972 (Montag–Mon.)
I speak today to contemporary ballet and modern dance and relate to a modern dance/music composition that I wrote while a student at The Ohio State University. The composition was a musique concrète/electronic work titled, “Ruth,” based on the Book of Ruth from the Old Testament.
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Day 277: Note from Nadia Boulanger
Day 277 — Note from Nadia Boulanger
05-May-1972 (Freitag–Fri.)
A
wonderful note comes to me from Fontainebleau in
France. Nadia Boulanger has written me a handwritten
note. A treasure. Today’s post is one of the most
important to me, personally, in this entire year of
blogging.
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05-May-1972 (Freitag–Fri.)
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